Files
party-player/README.md
T
simonandClaude Opus 5 0683acd69e Screenshot from the server instead of the browser
getDisplayMedia costs a picker, a permission, and a "Sharing this tab" bar
parked over the projector all night. None of it can be suppressed from the
page — the indicator is a security surface with no API, and the Chromium
switches that hide it were no help here.

The server runs on the machine the screen is plugged into, so it can take the
screenshot itself. server/screen.js drives grim for one region and /shot
returns the finished crop, which means grab() hands back a URL for an <img>
rather than a data URL off a canvas: same synchronous contract, so the
animations are untouched, and no tainting to work around either.

Coordinates line up because a fullscreen page's CSS pixels are the
compositor's logical pixels, which is the space grim's -g takes. The monitor
layout comes from hyprctl, so a projector is measured against itself rather
than the laptop panel, and -s pins the scale to that monitor: it keeps a
mixed-DPI desk deterministic, and it keeps grim native, where resampling costs
440ms against 35ms.

Needs a wlroots compositor and grim on PATH; without them the route reports
501 and the player falls back to getDisplayMedia, probed at load because that
call cannot be reached through an await without losing transient activation.
Also skipped when the page is not on localhost, where the server would be
photographing its own screen rather than the viewer's.

Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_01H9v2Xoa6eoeGYpK6gp95k9
2026-08-10 22:49:36 +02:00

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# Party Player
A YouTube playlist player for parties. Two browser windows run side by side:
- **Player** (`http://localhost:3000/`) — fullscreen poster background with a
small video frame that moves around. Both the animation (see
[Animations](#animations)) and the poster behind it (see
[Backgrounds](#backgrounds)) change on every track. Consecutive videos
overlap in a 5 second audio/video crossfade, so there is never silence
between tracks.
- **Queue** (`http://localhost:3000/queue`) — add videos by URL, drag to
reorder, delete, see how much playtime is left, and pick the background and
animation.
## Run
```sh
npm install
npm start
```
Put the player on the projector/TV screen (F11 for fullscreen) and open the
queue on a laptop or phone. On the same network, other devices reach both pages
at `http://<this-machine-ip>:3000`.
**The player page opens behind a "Start" button.** Browsers block unmuted
autoplay, so the first click is what unlocks audio. One click per session.
## Notes
- No YouTube API key is needed. Titles come from YouTube's public oEmbed
endpoint; durations are measured by a hidden muted player on the player page,
which is why a freshly added video shows `–:––` for a moment (and keeps
showing it while the player page is closed). Totals are prefixed with `≥`
whenever a length is still unknown.
- The queue is saved to `queue.json` on every change and restored at startup.
- Settings live in `config.js`: overlap length, frame size, drift speed, corner
screenshot interval and margin, the drag animation's size range, the
background zoom range, port, and the animation list. Everything there except
`PORT` is mirrored to the browser by the generated `/config.js` route in
`server/index.js`, so a new constant needs no second list.
## Backgrounds
Every image file in `assets/` is a background — drop one in, restart, and it
joins the rotation with a button on the queue page named after the file. There
is no list to maintain.
Like the animations, the background changes on every track: a different poster,
at a random zoom between 1.15× and 1.9×, cropped around a randomly chosen point
of it, cross-fading over about a second. The posters are portrait prints and
the screen is wide, so the crop is mostly a question of which band of the
poster to keep — the zoom never goes below 1.15×, because at 1× a wide screen
shows the poster's full width, paper margin included.
Each crop is resized off the main thread and drawn into a screen-sized canvas
(`public/player/backdrop.js`), so the cross-fade never has to composite a
17-megapixel layer, and the full-size scans are never held in memory. This is
why `assets/` can hold 300 dpi print files without the player caring.
The queue page's **Background** buttons pin one poster the same way the
animation buttons pin one animation; **Auto** hands selection back to the same
shuffle bag the animations use.
## Animations
The video frame's movement changes with every track. Six animations ship
today:
- **bounce** — diagonal drift, reflecting off the screen edges.
- **corners** — the frame parks in a random corner and every 5 seconds a
screenshot of it appears in the next of the three other corners, going
clockwise. The frame never moves, so a screenshot can never cover it.
- **drag** — a drawn mouse pointer travels to the frame, grabs it near its top
edge and drags it across the screen, lets go for a beat, then takes hold of
one corner and pulls the frame to a new size. The aspect ratio stays locked
and the frame stays on screen, so the resize reads as a window resize rather
than a stretch.
- **pong** — the 1972 game with the frame cast as the paddle: it slides along
the bottom of the screen and nowhere else, a square ball runs the diagonals
off the walls, and where the ball lands on the frame's face sets the angle it
leaves at. The frame is solid on all four sides, so a ball that comes at its
flank or up under it is turned away too. It plays the ball's predicted
landing spot, but aims a width wide
once in a while, and every ball that gets past it puts one on the
seven-segment counter in the top right.
- **trail** — the frame glides along a curving path, steering from waypoint to
waypoint, and drops a screenshot of itself every frame-width or so. The stills
stay where they were taken and fade over a few seconds, leaving a comet tail of
frozen video behind the live one.
- **wash** — the frame parks in the middle and the colour changes instead: a
gradient creeps round the colour wheel behind the poster, taking a minute and
a half per lap, and the frame's glow travels with it. The one still animation,
which is what makes it worth having between the moving ones.
The queue page's **Animation** buttons pin the player to one of them, which is
how you look at a single animation without waiting for the cycle to reach it.
**Auto** (the default) hands selection back to the shuffle bag. Switching takes
effect immediately; while pinned, track changes leave the animation running.
**The corners and trail animations photograph the frame.** The decks are
cross-origin YouTube iframes, so nothing on the page can read their pixels —
a screenshot is the only way to capture what is playing.
The server takes it. It runs on the same machine as the screen, so it can grab
the region itself with [`grim`](https://sr.ht/~emersion/grim) and hand back the
finished crop, which the player drops straight into an `<img>`. No picker, no
permission prompt, and no "Sharing this tab" bar parked over the party. This
needs a wlroots compositor — Hyprland, Sway, river — and `grim` on `PATH`;
`server/screen.js` reads the monitor layout from `hyprctl` so the right screen
is measured when a projector is plugged in.
Without `grim`, the player falls back to `getDisplayMedia` and asks to share
your screen on the first click of **Start**. That path costs a picker and a
sharing indicator, and what you choose in the picker matters:
- **Chrome/Chromium** preselects *This tab* — take it, and the mapping is exact.
- **Firefox** has no tab capture; the picker offers only windows and screens.
Choose the **entire screen**.
- **A single window** cannot be used: it includes the tab and URL bars, and
Wayland gives the page no window coordinates to subtract.
**Either way the page has to be fullscreen**, which is why **Start** requests it:
only then does a CSS pixel line up with a screen pixel. Leave fullscreen and the
screenshots pause until you press <kbd>F11</kbd>. The exception is Chrome's tab
capture, which is the viewport by definition and lines up in a window too.
Going without is fine: the frame still parks in its corner and still glides,
just unphotographed. That is what happens when you open the player from another
machine over the network — the server would be screenshotting its own screen
rather than yours, so the player does not ask it to, and a plain-HTTP origin has
no `getDisplayMedia` either. Whenever screenshots are off or misaligned, the
player says why in the bottom-left corner and logs it to the console.
## Adding animations
`#frameMover` carries only the motion transform (see `public/player/motion.js`).
`#frameSkin` inside it is the cosmetic layer, and the two video decks sit inside
that. New effects should nest a fresh wrapper rather than sharing a transform
with the bounce loop.
An animation is `start(context) => stop()`, where `context` is
`{ element, capture }` — `capture` may be null, and is read late, so an
animation must cope with it being absent. `stop()` has to undo everything:
timers, listeners, and any DOM it added, because the next animation takes over
the same element immediately. Register it under a new name in the `ANIMATIONS`
map in `motion.js` **and** in the one in `config.js` (which supplies the label
for the queue page's button), and it joins the rotation.
Selection uses a shuffle bag (`createPicker`): every animation comes up exactly
once per pass, so they stay evenly used, and the same one never runs twice in a
row — including across the seam between two passes.